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Monday, 28 May 2018

Entwistle PBXN Pickups - Precision Bass Pickup Replacement

Continuing my work on the Hohner Arbor Series P-Bass guitar. Replacing the Hohner single-coil pickups with a humbucking pair. But what kind of pickup to fit? Frankly the instrument isn't worth spending a lot of money on, so I was attracted to the Entwistle range of pickups. http://www.entwistlepickups.com/

The designer, Alan Entwistle, has an impressive biography and has clearly been in the business of designing guitars for years. I liked the idea of using neodymium magnets, too, because, in theory, more magnetism = more output. And I am all for improving the signal to noise ratio.

So I arranged to buy some from Wrexham Guitar Shop - Jan was very helpful and even called me "Dude" which was cool. https://wrexhamguitar.co.uk/
When the pickups arrived, they were just wrapped up in a bit of bubble wrap in a padded bag. The first thing I noticed was that a couple of the wires were hanging by a thread - and one of them fell off almost immediately. To make matters worse, the wires are soldered to small brass ferrules in the plastic bobbin of the pickup. When you heat the ferrule up to make a soldered joint the plastic melts, so you have to be very quick. On the other side of the ferrule is a hair-thin copper wire. It is all very unsatisfactory.

The photo at left shows the repair I had make when one of the ferrules melted right out of the plastic. Not pretty. You can see the bobbin with the cover removed (it is glued on with a hard, brittle glue).

Eventually I got all the wires resoldered and checked the resistance and inductance to make sure we had a good connection, and then I fitted the new pickups into the instrument. Fortunately, I had already traced out the circuit, but if you are stuck there are some good help sheets on the Entwistle site:  http://www.entwistlepickups.com/assets/PBX%20pu%20cct%20standard%20wiring.pdf  (though no instructions are included with the pickups). I took the opportunity to replace the potentiometers with brand new parts, as these had become crackly.

Now, before I took out the old pickups, I measured the output. In order to get a repeatable result I plucked the string at the 13th fret, holding it down to the fret-board with the tip of the plectum and letting it go. This always gave the same amount of displacement to the string, so it should ring with the same amplitude each time. I used the peak-hold function on the meter and took an average of ten "twangs". I was getting an output of about 80mV.

Imagine my disappointment after fitting the new pickups to measure only 5mV. I hooked the guitar up to an amplifier. There was some sound there, but it was weak, and I had to turn the volume up so that it was horribly noisy. Not to put too fine a point on it, as supplied, these pickups are crap.

Why? There seemed to be plenty of magnetism, put them two close together on the bench and they snap together strongly. The resistance and inductance measurements were good, indicating that there were lots of turns of wire and that the coils were electrically connected. It was a bit of a mystery.

After a bit of investigation with my hall effect magnetic probe, I worked out that the pickups had been assembled wrong. There are two bar-magnets under each pickup, and these should have the same pole facing each other. This "forces" the magnetic field up the pole-pieces to where the strings are. The pickups I had had the magnets arranged North-south, so the field simply went across the bottom of the pickup. The problem was very clear if you touched the pole pieces with a small screwdriver, the field was so weak that the tip of the screwdriver would not stick to the pole-piece.

But what to do... was there any chance of getting one of the magnets off and rotating it? Having already made a bit of a mess with the soldering on one of the pickups, I didn't fancy my chances of returning them, so I decided to have a go. The glue that is used is very hard and it is not easy to pry the magnets off. I used a sharp screwdriver and a blunt knife, and worked a little groove in the plastic underneath the magnet, so some leverage could be applied. It is quite risky applying a lot of force with sharp tools, and I was lucky to get away with nothing more than a grazed knuckle. You have been warned!

Having removed the magnet, I then became aware of another design flaw in these pickups. The pole pieces are threaded and have a screwdriver slot, so you can adjust them - right? Wrong! - there is so much hard glue around the thread of the pole-pieces there is no way they are ever going to move. Don't even try - you will just chew up the screwdriver slot and spoil the appearance of the pickup.

Fortunately the pickups are mounted on springs so you can adjust the height of the pickup under the strings by using the mounting screws to raise or lower one end of the pickup.
The photo above shows the springs. It also shows the blocks of foam which were under the original pickups. The Entwistle pickups have the magnets occupying some of this space, but I thought it was a good idea to put some foam underneath - apart from anything, it stops the wires from rattling.
So with the magnets prized off and refitted with some hot-glue ... was it worth the effort?

Well, yes, we have lots of output - over 100mV. The field cancellation is good too, measured in the Helmholtz coils. But best of all, playing the guitar in the church with the hearing loop - not a trace of feedback or sound from the microphones in the bass amp - so that's a result.



Monday, 21 May 2018

Measuring magnets with a hall effect probe

Permanent magnets vary a lot in strength. The position of the North and South poles can be in unexpected places too. At school we compared magnets by how many paperclips they could lift, and it is possible to plot the field lines using iron filings and a compass needle. But these are rather inexact methods.   It would be nice if there was a digital magnet-meter.
It turns out that such a thing is quite easy to make. I have found one very useful for investigating the magnets in guitar pickups.

I used a hall-effect device from a company called Melexis. I bought it from RS components, in a pack of five, and they worked out at just under a pound each. The particular component I used seems to be obsolete, but hall effect devices are still being used, so I'm sure it would be possible to find something
suitable. I plug the probe into a digital voltmeter to get a reading.




The data sheet is here: https://www.melexis.com/-/media/files/documents/datasheets/mlx90242-datasheet-melexis.pdf

The device runs off a 5V supply, so I used a 78L05 regulator. It might have been better to have used something a little more accurate, because the output voltage swings from just above 0 Volts, maximum north-south, through 2.5V with no field to 5V maximum south-north, and that mid-point of 2.5V end up being a few mV offset if the supply isn't accurate. Anyway, the circuit is given in the datasheet. I used this:


The circuit runs off a 9 Volt PP3 type battery and connects to a Digital Voltmeter. I built it on a small piece of veroboard. The veroboard is actually covered with thin transparent tape. You need to be able to see where the sensor is and you need to be able to get it very close to the surface of the magnet you are measuring. So avoid having components that are taller than the device close to it, or they will get in the way. But the tape is needed because some magnets are conductive and cause short-circuits. The photos show it with the tape removed.



The diagram at left shows how it is laid out, using chip capacitors, and breaking the veroboard track between pins 1 and 2.

You need some fairly fine soldering. It helps to make sure the copper strips are really clean and shiny, use a very fine tipped soldering iron and some thin solder.

Calibration is quite straightforward, because the sensitivity is given in the data sheet, you can work out how many volts you get for a given value of milliTesla. If you wanted to calibrate "properly" you will need to put the device in a known magnetic field, perhaps generated in the Helmholtz coil that I describe elsewhere. http://m0wye.blogspot.co.uk/2018/05/building-helmholtz-coil.html



I drew a graph in Excel based on the figures in the table above.

Now some magnets are too strong to measure - they read either 0 or 5V depending on which pole, but you can always space the sensor away from the magnet to be able to compare the strength to a different one.
It is worth noting that the device is not sensitive enough to use as an electronic compass. If you amplify the output you will soon find that the limiting factor is noise. The Hall effect device is quite noisy, so magnets like the Earth's magnetic field, which is of the order of 50 micro Tesla, are lost in the noise from the device.
But for comparing the strength of the magnet in one guitar pickup with another, it is ideal.

And here's a picture of my hall effect probe being used in this way.

Hope you found it interesting.
73
Hugh M0WYE

Monday, 7 May 2018

Building a Helmholtz Coil

I wonder if anyone else who regularly plays an electric guitar in different venues, has the problem I have ... the hearing aid induction loop is picked up by the pickups in the electric guitar and is amplified by the guitar amp. This amplified sound is then picked up by the mikes, amplified and fed into the hearing aid loop, causing a "howl-round" or feedback situation. With the hearing aid loop running right round the building it is very hard to get away from it.

A guitar pickup is a coil of wire with a permanent magnet inside it. The steel strings move in the magnetic field and generate an alternating current in the coil. The trouble is that any alternating magnetic fields will also be picked up by the coil and amplified. The usual problems are caused by hum fields around the mains transformer in the guitar amp, but a lot of halls and churches now have induction loops that provide a signal for people with hearing aids that work on the same principle.

Now the obvious solution is to use a "humbucking" pickup. This type of guitar pickup has two coils, wound in opposite directions, and wired in series, so that any background magnetism is cancelled out. One coil has a magnet running north-south, the other is south-north so the signal from the guitar strings is in-phase and adds together. It is the perfect solution, background hum is cancelled and the wanted signal is doubled.

My bass guitar is a Hohner Arbor Series "Precision" bass.  I blogged about it a few weeks ago. It looks very similar to a Fender Precision Bass, and, since 1957, these instruments have been fitted with a pair of pickups wired in a humbucking configuration. Wikipedia page about the Fender Precision Bass

So what's going on? Why do I have such problems with my bass?
Replacement pickups are available for a few tens of pounds, but if I changed them, how would I know whether the problem was solved? I need some way of exposing the guitar to a magnetic field like the one from the hearing aid loop, in a controlled way, so that some comparisons can be made.

I did some reading about hearing aid loops, and they have to meet certain standards (BS7594 / IEC60118-4). They are designed to produce a field strength of 100mA/m. They have compression circuits to keep the field strength within that range even when the person speaking into the microphone varies their volume. So 100mA/m looks like the field-strength to aim for.

I decided to make a Helmholtz Coil. Wikipedia Page about Helmholtz Coils
This sort of apparatus looks like a pair of hoops. When fed with a current (d.c. or a.c) the coils produce a uniform field in the space between the two coils. It is also possible to do a sum, based on the number of turns of wire, the diameter of the coil and the current flowing trough it, to work out the exact strength of the field inside.
Some sort of former was required to wind the coils on, and I found an old cable drum in the garage which has a diameter of about 40cm. The two coils must be spaced at a distance which is the same as the radius of the coil, in this case it is 19cms. The body of the guitar would fit inside this, with the pickups in the uniform part of the field.

The equation above looks a bit scary, but it turns out that if we want to calculate the field in terms of mA/m we can leave out the permeability, and the 4/5ths raised to the power of 3/2 works out to be 0.71554.
It works out that with 53 turns of wire on each coil, 1mA of current will produce the 100mA/m field strength required. I wired the two coils in series and put a 100 ohm resistor in series with the both of them. Driving the coil from my Levell Oscillator easily achieves 1mA. I put my True RMS Multimeter across the resistor. By ohms law, 1mA produces a voltage of 100mV across the resistor.

But I'm getting ahead of myself, I need to make a former to wind the wire on ...

After separating the end-cheeks of the cable drum (required an angle grinder!) I drew a circle with a radius of 19cm (piece of string and a pencil). I cut some small pieces of wood from a strip of pine and glued them round the circle I had drawn, with PVA glue. Repeated the task on the other half and let the glue set hard.







I found a small sheet of thin MDF, and cut that up to make the inside edge of the former for the wire. Glued that on with PVA and, again, left the glue to set.

Then I wound the 53 turns of wire on the former. To make this easier I found an old plastic pill-pot which was an exact fit in the centre hole of the wooden disk. I could use that as an axle to rotate the disk around. I set up the spool of wire on a big screwdriver in a vice so that it would dispense wire freely. I made a mark on the wooden disk so I could count the turns. I used 0.56mm dia. enamelled copper wire - but almost any type of wire would suffice.

Once wound, the two disks were joined together with wooden spacers. I used proper brass screws for this, because any steel in, or around the coils, will tend to distort the magnetic field.

The photo below shows the final set up with a guitar in the coils. the Levell oscillator is feeding an a.c. signal into the coils and the meter is used first to set the current to 1mA (100mV across the 100 ohm resistor) and then to measure the output from the guitar pickups.


Finally, here's the bass guitar in the coil. I tried it vertically and horizontally, but it didn't make much difference to the measurements, although the pickups are closer to the centre of the coil in the horizontal position shown.

As long as the frequency is below 1kHz, the meter reads very accurately. If I wanted to look at how the pickups performed at higher frequencies, I would need to use an oscilloscope or a different kind of meter.

So what do the results show?
The black-coloured guitar is a useful comparison because it has hum-bucking pickups in bridge and neck positions and a single coil pickup in the middle. I measured the output of the guitars at three different frequencies, 50Hz, 100Hz (mains hum frequencies) and at 800Hz, more representative of a hearing aid loop. On the black guitar the humbucking pickups had almost no signal at any frequency - and the background hum (with the oscillator switched off) was low too. The middle, single coil pickup picked up the Helmholtz signal quite strongly giving an output of about 10mV at 800Hz. But the output from the bass was twice as strong with over 20mV. So clearly the bass pickups are behaving like single coil pickups - not humbuckers.
Now 20mV is meaningless on its own. When you pluck a guitar string, it is quite tricky to get a consistent output, because it depends how hard you pluck it. I developed a "standard" way of plucking a string. Hold the string down on the fret-board at the 12th fret (in the middle) with the point of a plectrum, then slide the plectrum off the string, this gives the same amount of deflection to the string each time you pluck it. Using this method, and using the peak-hold function on the meter, and averaging 10 separate readings I got the following figures:
E string 89.9mV
A string  57.7mV
D string 56.8mV
G string 80.8mV.
This may seem a bit over the top, but I want to be able to compare the outputs of different pickups. You will see that 20mV is about the quarter of the output of the guitar when a string is plucked. A most unacceptable level of background signal.

The reason that the bass guitar picked up more signal from the Helmholtz coils maybe because the pickups are physically bigger. The signal output is proportional to the area of magnetic flux which the coil encloses, so a larger diameter coil will have more magnetic field lines passing through it.

So the next step is to get some new pickups and see how they perform.
73
Hugh M0WYE






Monday, 2 April 2018

Hohner Arbor Series Bass Guitar Circuit

The controls on my bass guitar make horrid scratchy noises when you adjust them. I have sprayed them with switch-cleaner, and they go quiet for a few months, but gradually the 'orible noise comes back. So, I think it is time to change them. But what type are they?

Carefully removing the scratch-plate screws and looking at the writing on them gives the value, but not the "law" of the track of the potentiometer. The tone control says A500k, but does "A" mean linear or logarithmic? It is quite easy to measure without desoldering anything because the capacitor is open-circuit at d.c, so it won't affect the resistance-meter reading. I set the pot half way and it measures about 27k between the end of the track and the wiper. Measuring between the ends of the track 470k. So this is clearly a logarithmic part - if it was linear it would measure half the value in the middle of its range. The diameter of the body of the pot is 16mm and it has a splined shaft.

The Volume control has the pickup connected across it, which would affect the resistance reading. This meant desoldering wires from the pot. This one measures about 250k in the middle and 500k from end to end, making it a linear law.

While everything was disconnected, it gave me a chance to measure the d.c. resistance of the pickups - 12 kilo-ohms.

It seems a bit strange to have a linear pot for volume, but the adjustment seems smooth and progressive, so no reason to change it.


The overall circuit looks like this:
The 470nF capacitor is not the original component. Soon after I got the bass I was disappointed by how little effect the tone control had on the sound. From memory, there was a 100nF cap in there - (probably what was fitted to Hohner's "normal" electric guitars). Bass guitars need something bigger. I tried a few different values and settled on this one which goes from very soft and muffled to bright and zingy.

I should have enough info to get some replacement controls now. I see CPC sell some with conductive plastic tracks - they might be a quieter alternative to the old-fashioned carbon track.
Order codes RE06797 and RE06795, and quite cheap too.

73
Hugh M0WYE



Saturday, 31 March 2018

Lecture on Guitar Pickups

While searching Portsmouth University Library for interesting articles about guitar pickups, I came across a paper entitled "PATENTED ELECTRIC GUITAR PICKUPS AND THE
CREATION OF MODERN MUSIC GENRES" by Professor Sean O'Connor.

It referenced a Youtube Video of the Conference Lecture where he delivered the paper, complete with guitar demonstrations of the different sounds produced by the pickups. I thought it was a great demo, and include a link to it here in the hope that others will enjoy it.
https://www.youtube.com/watch?v=8m7LKQPCHS0













73
Hugh M0WYE

Saturday, 24 February 2018

Duratool D03122 Autoranging Digital Multimeter

Haven't posted in a while as I am currently studying for a degree in Electronic Systems Engineering. It is taking up a lot of my spare time! However, I recently bought a new DVM and I spent a bit more money to buy a true-RMS reading instrument. It should read the r.m.s. value of an alternating signal, regardless of the shape of the waveform. Cheaper models will only read accurately with a pure sine wave.

There are limits to everything, and maximum frequency is one of them. I wondered if the meter would be any good as an a.c. millivoltmeter for making audio measurements. The frequency response was not quoted in either the advert, or the instruction book, so I thought I would measure it for myself.











To do this I used my Levell RC Oscillator, which is a vintage piece of gear, but still works well. Also hooked up the oscilloscope across the terminals to check the output level. I set the Levell Oscillator to 50Hz and adjusted the output until the meter read exactly 1.000 Volts on the a.c. Volts range of the DVM.









The 'scope had a nice sine wave with an amplitude of 5.7 divisions, peak to peak. On the 50mV range, with a x10 probe that works out as 2.85V p-p. Divide by two to get peak, then, divide by square root of 2 to find the rms, and it works out at 1.0076 - that's not bad.









So I tried different frequencies, checking the amplitude was constant on the 'scope. The results are plotted here. I didn't use the "smoothed" curve in Excel, because it puts in an artificial hump at 1kHz which isn't really there. Joining the dots with straight-lines doesn't look as pretty, but is probably more accurate.

 Then I reduced the output to 100mV and did the same test using the mV range on the meter.

On both ranges, the meter has a flat response up to 1kHz and then drops off quite sharply reading almost nothing at 10kHz.

So I conclude that it is good for power frequencies, and even for measuring impedance at 1kHz as part of a bridge or potential divider, but it is not much use for general audio use - I'll stick to using the 'scope.

This blog post is not intended to be a full review of the product, and I should probably also say that I'm NOT being rewarded in any way for this post - just want to share the information.
The meter is very versatile. It comes with a thermo-couple temperature probe. It also has a USB data output feature which I haven't tried yet. I also like that it has a big display and a backlight.
It will be a useful addition to the work bench, and hopefully last as long as my last one (30 years+)!

73
Hugh M0WYE



Friday, 18 August 2017

Replacing the Under Saddle Pickup on an Electroacoustic Guitar

Over the last few months the pickup on my guitar has developed an unpleasant distortion. The A string produces a gritty buzzing sound. At first it was a very occasional, and intermittent problem. I thought I had cured it by putting a shim of paper between the saddle and the pickup under the A string, but the sound came back.


The guitar is a Tanglewood Odyssey cut-away. It is a "bowlback" design with a fibreglass back - I bought the guitar back in 1992, so it has done good service, but replacing the whole guitar is an expensive proposition. So I started reading-up about under-saddle pickups on the internet. The name ARTEC kept coming up, and their pickups looked very similar to what was fitted to my guitar.

Artec website.

I was particularly attracted to the SF-607 model because of this phrase " It reduces buzzing sound caused by curved bottom of saddle or rough surface of pickup cavity on the bridge of guitar. " - I suspect this may be the "buzzing sound" that I have been hearing, or else the pickup has developed a fault. Unfortunately the Solidflex pickups are not at widely available on E-bay as the PP and PG versions, but I found one in Singapore for about £12 and made the purchase.



The SF-607 is physically very similar to the pickup I took out. It is about a millimeter shorter, but the spacing of the piezo blocks is exactly the same. The 2.5mm jack-plug is finished more neatly than the old pick-up with a metal cover and gold plating on the contact surface. In the photo at left, the new pickup is at top and old one below



The pickup strip is blue and branded, the old one is covered with plain black heatshrink sleeve, but the width and thickness I measured to be within 0.1mm of the original. This was very useful because it meant it was almost a "drop-in" replacement. I say almost because the original was a snug fit in the slot, which required a little judicious filing with a needle file to accept the new pickup. I expect I could have forced the new one into the slot, but I wanted to be able to get it out again if I had to !

The 2.5mm plug means that there is no soldering of wires - and the preamp and EQ unit in the guitar seems to work just fine with the new pickup. Here are a few more pictures:
 The pickup goes underneath the white saddle, which is a hard plastic, or bone material set in a slot in the wooden bridge of the guitar.











A hole is drilled at the bottom end to allow the screened cable of the pickup to pass through to the inside of the guitar. The hole is just big enough to allow the 2.5mm jack plug to pass through. This picture shows the old pickup lifted out of the slot, and the shim which I had added to try and fix the distortion problem.







The new pickup just plugs into the preamp unit. Remember to tidy and tape down the wires inside the guitar before putting on the new strings - otherwise they may flop about and rattle when you play it. I used "gaffer tape" (otherwise known as "duct" or "duck" tape).

It is a useful opportunity to clear the dust out of the inside of the guitar - it had got decidedly mucky in there!
Here's another picture of the EQ unit. - the battery holder and front panel is separate, and goes on the outside of the body, the screened metal box is on the inside of the body, and when the screws are tightened it all clamps up tight in the side of the guitar.

I couldn't photograph that operation because I needed at least three hands to hold the EQ unit, front panel, guitar, screw and screwdriver - I didn't have any appendages left with which to operate the camera.


So does it work?
Yes it does, but it is different to the old pickup. The output is lower and there is a bigger variation in output between the individual strings. The A and D strings are louder than the others.

Here is an image of the six strings plucked one after the other and recorded in Audacity, first with the old pickup:

You can see the distortion on the "A" string, as the envelope looks "broken".

And then with the new:

The output is lower, overall, but the A string and D string are strongest. I estimate the top E to be about 6dB down, but the A string seems to be as strong as the old pickup. The good thing is that the output is clean and distortion-free. So I shall leave the new pickup in place for the time being and see how we get on with it. I will have to crank the volume up on the amplifier a bit to compensate for the lack of output.

73
Hugh M0WYE